*By continuing, you acknowledge the following:
1) You are 18 YEARS OF AGE or older. 2) You will not exhibit material from this site to a minor and will carefully ensure that no minor has access to it. 3) The material from this site is acceptable to the average adult according to community standards. 4) Persons who may be offended by such depictions are not authorized and are forbidden to access this site. 5) The material on this site will not be used against the site operator or any other person in any way and will be used only for personal viewing in a private residence. 6) You assume full responsibility for your actions.
If you are a young person looking for information about sex, please go to Scarleteen.com
By continuing, you acknowledge the following: 1) You are 18 YEARS OF AGE or older, as verified. 2) You will not exhibit material from this site to a minor and will carefully ensure that no minor has access to it. 3) The material from this site is acceptable to the average adult according to community standards. 4) Persons who may be offended by such depictions are not authorized and are forbidden to access this site. 5) The material on this site will not be used against the site operator or any other person in any way and will be used only for personal viewing in a private residence. 6) You assume full responsibility for your actions.
The Porn Studies Forum is a regular section of Porn Studies providing a space for timely responses to issues and developments within the academic study of pornography. We encourage provocative and open-ended short pieces of 500-1,500 words (including notes).
CFP: “This is not a love song.” Some Thoughts on Pornography and Music
In this era of onscenity, porn and (popular) music have a complex and multifaceted relationship.
Music has always been part of the audio-visual structure of pornographic materials, whether narrative/fictional or (pseudo)documentarian/wall-to-wall. Porn soundtracks are generally considered to be poorly produced and absolutely ancillary to the (supposed) main purpose of the films; nevertheless some “infamous” porn o.s.t. are notorious among music connoisseurs, either for the cult status of the movie they were created for – as in the anonymous “cheeky” album composed for Deep Throat (Gerard Damiano, 1972), or for the productive and inspired collaboration between some directors and cutting-edge musicians: in films like New Wave Hookers (Gregory Dark, 1985), or its digital-age remake Neu Wave Hookers (Eon McKai, 2006).
Other moments of overlapping can be observed, for instance when pop icons like Madonna and Lady Gaga – and more recently Miley Cyrus – deploy sexually explicit imagery, or when a world famous porn star like Sasha Grey attempts a career as a DJ. At the same time, even outside the “mainstream,” pornographic imaginaries have frequently influenced (and have been influenced by) several subcultural formations and productions, from punk, new wave and No Wave (sexual) transgressions, to the contemporary hip-hop scene and its explicit and impudent aesthetics of excess.
Submissions on the following topics are welcome:
Articles due on: July 31st 2014
Forum Section submissions should be sent to: forumpstudies@gmail.com
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Dental dams in porn? Yes, they do exist! At least a dozen scenes on CrashPad — and counting. We let the workers take the wheel […]
The post Hot Dam! A CrashPad Safer Sex Guide for Dental Dams in Porn appeared first on CrashPad Series.