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Queer Porn Films for Pride
25 Films to Watch for Pride
Spotlight: Returning to “The Bi Apple” with Audacia Ray
Documenting Dyke Desires: Lesbian and Queer Porn, Pleasure, and Politics in 1990s San Francisco
PinkLabel.TV travels to Mexico for FAAC in CDMX!

SAN FRANCISCO, CA (July 14th) — PinkLabel.tv adds bike smut sensation Come Find Me to TROUBLE FILMS studio. Come Find Me is a true collaboration: a narrative shot by Bike Smut founders and real-life couple Poppy Cox and Gasper Johnson, and a gorgeous, high definition, high art sex scene shot by Courtney Trouble, director of 14 full-length films and […]

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On October 28th, 2008, Pink & White director Shine Louise Houston filmed a video urging Californian voters to cast their ballots against Proposition 8. Pink & White Productions donated all sales from sign ups on CrashPadSeries.com for the full day of October 30th. In todays’ historic ruling, the United States Supreme Court struck down the […]

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by Alexa Shae This month, CrashPadSeries.com celebrates its 6th anniversary.  The best part about the CrashPad is that there’s value in not talking. The value lies in the sultry looks, the beckoning body language, and perhaps a good prop. If you really think about it, it’s a great film school. Tell a story with out words. Go. […]

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Shine Louise Houston’s PINK LABEL: Digital Distribution for Emerging & Independent Adult Filmmakers Houston’s new fair-trade online distribution offers award-winning queer Canadian filmmaker, N Maxwell Lander SAN FRANCISCO, CA (May 30th) — Shine Louise Houston is no stranger to independent adult video production. The feminist porn award-winning director and founder of Pink & White Productions, […]

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Shine Louise Houston Debuts New Short Film OCCUPIED on PINKLABEL.TV a queer, hardcore romance for the 99%. SAN FRANCISCO, Calif. — OCCUPIED, a new short film from award-winning porn producer Shine Louise Houston, is a hardcore romance for the 99%. When an Occupy protester (Maggie Mayhem) dares to strike back at a brutal cop (Kathryn […]

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There wasn’t one scene in the film that didn’t interest or excite me in some way. I loved all the kinky exploration and playful S/m. All the scenes had a nice build-up of momentum and chemistry between the players. I especially loved the diverse array of bodies and shifting genders. I hope Houston keeps adding more queer kink, interesting characters and maybe adds in an orgy scene at the Crash Pad someday soon.

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If you want to make porn, or any other form of arts based product, and have limited funds to begin with, sustainability comes before profit. Most individuals in these fields lack access to large start up capital, so it’s a very DIY beginning and a lot of time and elbow grease. Grassroots business, especially in communities without a lot of financial support rely heavily upon connections from friends and family. A “get rich quick” mentality will not last long in these spaces since it involves community effort which results in a division of labor and profits. It is not about the financial gain of one individual, but rather creating on going financial support for many while drawing from each others skill sets.

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Crash Pad Series Volume 4 By Domina Doll If you’ve read my other reviews of Pink and White films and the Crash Pad Series, you will know that I love/lust these films. Each film is different and offers something unique and diverse, which to me is what independent porn is all about. Sure, if you […]

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Pink & White Productions Founder/Director Shine Louise Houston presented a short documentary, “Shiny Jewels,” on her work. In it, Shine Louise Houston speaks with Shine Louise Houston and her co-director Shine Louise Houston about a day in the life of an adult film maker. This short documentary looks at the creative process, practical nuts and […]

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features hot lesbian/queer sex by femmes, bois, dykes, and (this time) trans multi-gender queers. Houston is known for mixing authentic queer sex within a humorous parody framework and “Wild Search” certainly delivers. Houston describes the film as a “pomo-homo-docu-mockumentary,” a statement that mocks filmmaking and documentaries by challenging the preconceived notions of what is “real”. The film stages itself as a documentary filming another documentary crew who are in search of the “truth” about “real lesbian sex” meanwhile questioning lesbian stereotypes and the [ph]allacies of hetero-male produced porn.

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